Na Tri Seudan
2008 lineup

Allan MacDonald

Andy May

Anxo Lorenzo and Xosé Liz de Cea

At First Light

Bagad Cap Caval

Beòlach

Brian McNamara & Tim Collins

Buille

Caramusa

Cillian Vallely

Cormac Breatnach

Dråm

Giancarlo Parisi

Ivan Georgiev

Jarlath Henderson and Ross Ainslie Trio

Jimmy O'Brien Moran

John McSherry & Francis McIlduff

Liam O'Flynn & Catherine Ennis

Luigi Lai

Lúnasa

Michael McGoldrick and Ian Fletcher

Mick O'Brien & John O'Brien

Na Tri Seudan

Patrick Molard; Jackie Molard and Jean-Michel Veillon

Pere Joan and Manel Martorell

Robbie Hannan & Dermot McLaughlin

Ronan Browne

Seán McKeon and Liam O'Connor

Tejedor

Tiarnán Ó Duinnchinn

Na Tri Seudan
Scotland - highland pipes, bouzouki
16/11/08 - 2pm - The Studio Theatre

Na Tri Seudan translates as The Three Treasures or The Three Jewels and the name was chosen to represent these three elements (music, song and dance) of Scottish culture. These three strands were, at one stage in history, interdependent and inseparable. They fed off each other and made the product much greater than the sum of the parts.

After the introduction of competitions at the end of the 18th century, the music gradually lost its ties to the dance and the Gaelic language. Na Tri Seudan is all about putting these three elements back in touch with each other and reversing that divorce process.

The group was established some eight years ago by Hamish Moore at which time it included Step Dancing and Gaelic Song. The last four years has seen a regrouping with just 4 pipers - Angus MacKenzie, Fin Moore, Calum MacCrimmon and Angus Nicholson along with bouzouki player, Will Lamb. Plans are afoot to add some more pipers, a step dancer and singer at a later date.

The pipes being played in Na Tri Seudan were all made by Hamish and Fin Moore and were copied from a set made in 1785, presently housed in The Inverness Museum. They play, unusually for modern times, in the key of A.

The music is played with power, vigour and swing and is free from the constraints imposed on it as a result of the militarisation of the bagpipe and the introduction of competitions at the end of the 18th century. This music is played from the heart and communicates emotions in an unreserved way. Be prepared to be excited.